Skip to main content

The Legend of Lucy Keyes (2006)

Those that read this blog on a regular basis will know that I love a good ghost story.  They will also know that I think that they are also one of the hardest things to transpose to the big screen...

Guy and Jeanne have moved to a small town with their two daughters in order to be close to each other while Guy works on getting approval for and construct a wind farm in Princeton.  Soon, Jeanne starts to investigate the origins of a strange voice and apparition that appears in the wood nearby.  Her investigations set off a chain of events that echo back to the disappearance of little Lucy Keyes back in the 1700's...

"The Legend of Lucy Keyes" starts off with a bang with the family being terrorized by a vengeful spirit- setting you up with certain expectations.  For me, this movie met some of these expectations, and fell just a little short of others.

The story is based on the real life mystery surrounding the disappearance of a girl named Lucy Keyes back in the 1700's.  Other than that, the rest of the movie is fiction- and we well thought out fiction too.  The premise is interesting, and offers potential for some good ghost story telling.  It's not a fast paced story, but does move along fairly well.  There are a couple of moments where it drags, but not for long.  As with most ghost stories, there is more dramatic elements than horror elements- which helped to add depth to the story.  My only complaint is that I would've liked to have seen more involving the ghost itself.

The characters were interesting, and unique, even those that were filling somewhat stereotypical roles.  Guy and Jeanne Cooley are a likeable and believable couple with depth created by the knowledge of their back story.  I came to feel for Jeanne as she tried to deal with both her fear and sympathy in relation to the ghost of Martha Keyes.  The character of Samantha Porter was interesting since she gave contradictory vibes- a nice person when she wanted to be, but hiding some serious darkness inside her.  I also really liked Jonas Dodd, the slightly unbalanced neighbour who was convinced the smell of clam bellies kept ghosts away.  His character added humour and unease to the story- I kept expecting him to up and shoot at the wall because of the ghost.  Gretchen Caswell, though filling the role of the town crazy with the warning, also showed wisdom and honest, good intentions.  All of these characters added a nice texture to the movie that I enjoyed.

The acting wasn't great- more suited for either a made for TV movie, or a direct to video movie.  I found Justin Theroux, who played Guy Cooley, rather stiff and expressionless throughout most of the movie, while Julie Delpy did a decent enough job portraying Jeanne, but didn't seem to express much in the way of emotional range.  I felt that Brooke Adams as Samantha Porter was great in the role, and did an excellent job bringing to life a character that had two sides to them.  Mark Boone, Jr. was quite fun to watch as Jonas, even if it was a little over the top at times.  The final actor of note is Jamie Donnelly, as Gretchen.  She brought an earnestness to the character that was nice and sincere.

The film is beautifully shot.  The camera work isn't complex, but the Director- John Stimpson, showed great skill in editing together long and close shots together smoothly to create a real nice atmosphere.  This is enhanced by the rural location, and the colours used throughout the movie.  The only element that fell short visually was the special effects.  You could tell the ghosts were done with special effects, as Martha Keyes' ghost didn't blend in well with the shots- though the scene in the bedroom was enjoyable.  I also would've liked to have seen a more ghostly appearance to the ghost of Lucy Keyes as well.

I also liked the music used as well- something I don't often notice in movies.

Over all, I enjoyed "The Legend of Lucy Keyes."  While I might not watch it more than once on the spur of the moment, I would recommend it to a friend, and watch it on a Ghost Movie Night.  I'm placing this movie in "The Bad".

Comments

Popular posts from this blog

Grave Questions: Jessica Cameron

February is " Women in Horror Month "- a month in which to celebrate the impact that women have had on the genre and the industry- from writing, to acting, to directing and producing. Jessica Cameron has experienced the industry in all those capacity- making her a perfect choice for me to ask some " Grave Questions " of in order to raise awareness of the great women in Horror. Please not that this article SHOULD'VE been posted in February, but due to technical difficulties, we're putting it up now.  Thank you. TCoT :   Which female horror stars helped to inspire you to not only enjoy the genre- but to get involved in bringing scary movies to the world? Jessica :  I literally said to my " Truth or Dare " producer, "If the Soska sisters can make " Dead Hooker in a Trunk " with nothing, then I can make " Truth or Dare ".  So needless to say that those girls have been a huge inspiration in everything I do behind the

Meridian: Kiss of the Beast (1990)

Sometimes, a director/producer will surprise you- such was the case during " Terrorpolooza 2012 " when I watched Charles Band's " Meridian: Kiss of the Beast " Catherine Bomarzini has come home after her father's death.  Needing company, she asks Gina to stay with her.  Soon, the two meet a wondering troupe of performers that Catherine invites to dinner at her castle. Catherine find herself pulled into a love triangle and an ancient curse that only she can break. After watching movies like " Evil Bong ", and " Demonic Toys ", I really wasn't expecting too much from this Charles Band movie- but I was pleasantly surprised by it. The story is actually quite interesting with lots of potential for eerie scenes, and character development.  It's a nice twist on the classic " Beauty and the Beast " story.  It's a bit slower than most of Band's other works, but moves smoothly and draws you with it. I have to ad

The Phantom of the Opera

  Not too long ago, I reviewed the silent horror classic, "Nosferatu: A Symphony of Horror", and wound up being in the mood to view a few other of the silent horror films in my collection.  The next one I watched was "The Phantom of the Opera", starring Lon Chaney, Sr, and released in 1925.   A mysterious stranger has been threatening the star singer of the Paris Opera House- someone who has signs his letters simply as, "The Phantom".  This stranger wants to clear the way so his protege, Christine Daae can ascend to stardom herself.  Soon, her love for the Comte de Chagny collides with The Phantom's desire for Christine forcing both to take drastic actions in order to be with the one they love. " The Phantom of the Opera " actually underwent three periods of re-shoots and editing, due to poor reception and test viewings.  In 1930, a sound version was created- often assumed to be what is called "The Eastman House Print".  It is